mum-and-child

Re-writing Stories of Identity: Alicia’s Story

The first day I met Alicia, not that long ago, she said ‘I want to share my story with other people.  I want to help others who are going through similar struggles.’

In the few months that followed, I sat down to interview Alicia on her experience of having her children removed and the many years that followed, fighting to get them back.  This alone appeared to be a very powerful and healing experience for Alicia.  Our narrative conversations allowed Alicia to reclaiming her identity from one which was defined by the Child Protection system as ‘a worthless mother who was not going to get better’ to her preferred identity as a ‘strong-willed, stubborn but patient fighter who never stopped loving her kids’.

In narrative therapy, Denborough says “while we can’t always change the stories that others have about us, we can influence the stories we tell about ourselves and those we care about”.  In telling our stories in ways that focus on our strengths for getting through difficult times, we have the power to re-author our lives.  No longer are we trapped by the problem story that we have come to believe is true; we now have a new and different story of what we stand for and value in life.

Our therapy together has allowed Alicia to reclaim her ‘storytelling rights’ (Denborough 2017) and tell her story in a way that fits for her, not defined by others.  The Charter of Storytelling Rights includes:

  • the right to define their experiences and problem in their own words and terms.
  • the right not to have problems caused by trauma and injustice, located inside them, internally, as if there were some deficit in them.  The person is not the problem; the problem is the problem.
  • The right to have their responses to hard times acknowledged.
  • The right to know and experience that what they have learned through hard times can make a contribution to the lives of others in similar situations.

It is this last right, that Alicia now wishes to exercise.  Today, is the first time that Alicia is going public with her story.  This is an opportunity for you, the audience, to be witness to the alternative story Alicia is taking on about her life.

We invite you to read Alicia’s Story of ‘never, ever giving up’ and then send a message back to Alicia about how this story has changed you.  

If you know what it is like to experience child removal, we invite you to continue the conversation with us on our Facebook Group.

References:
Deborough, D. 2014, ‘Retelling the Stories of Our Lives Everyday Narrative Therapy to Draw Inspiration and Transform Experience’, Norton.

Storms

Weathering the Storms of Life: An Exploration of Group Work with Tiwi Women

In March, I was invited back to the Tiwi Islands to co-facilitate a Tree of Life Workshop with Tiwi women, as part of a ‘Telling Story’ project funded by a small Suicide Prevention grant from the NT Government.

The Tree of Life is a popular methodology that has taken off globally amongst many different kinds of practitioners working in the therapeutic space.  It has very much shaped my social work practice framework and the way I incorporate use of metaphor from counselling and group work to strategic planning and evaluation.

Our workshop began with a discussion about what trees mean to the women.  We heard stories about the mango trees that were planted by the old people and that sitting under the mango trees brings feelings of connection to ancestors, which keeps women strong.  This connection is felt as a voice when the wind blows and the leaves start moving.  “We can sense the presence, their spirit is following us wherever we go.  We sense the presence of our mothers and fathers, there with us.”  The mangoes are like gifts from the old people that continue to feed the children and the future generations.

The narrative approach is about asking questions which explore the history of the knowledge, skills and values which people describe, to thicken the story and give a richer description.  As one woman described her connection to mangrove trees, we discovered she learnt to find mangrove worms to eat by going out with her grandmother and mother.  She learnt how to chop that tree by observing with her eyes and listening with her ears.  She discovered that the old logs were the better ones to  find mangrove worms and the importance of looking for tracks first.  She came to know the difference between mangrove worms and cheeky worms at an early age, by eating the wrong one.  Later on in our workshop, the same woman described how the chopping action had became a way of dealing with stress in adulthood.

The next step of the process is inviting the participants to draw a tree, perhaps one that has meaning for them.  We provided a variety of art materials such as textas, oil pastels and pencils, giving participants approximately 30 minutes to draw on an A2 size piece of good quality paper.  The drawing should include roots, a truck, branches, leaves and fruit (or nuts).  We then discuss the role and significance of each part of the tree and introduce the Tree of Life metaphor.

In exploring our roots which represents cultural heritage, we discovered stories of connection to country and culture, the significance of belonging to their skin groups and special places the women were connected to.  These roots shaped their identities as Tiwi women.  We unearthed a rich tradition of hearing “from our mothers and grandmothers, who we belong to.”  For two women, there was a reclaiming of identity with the red flower skin group, which existed before the great Tiwi wars.  We also heard a strong theme emerging about life-long learning, as if the roots of the trees were still growing and spreading.  “Sometimes learning doesn’t stop, from little ones to big ones.”  One of the women had been away from the community for a long time and had brought her children back to teach Tiwi culture.  Another spoke about learning to weave much later in life.  “It’s never too late to learn your culture”.  The women were invited to write some words on their roots about what history stories are most important to them.

Our conversation then moved to exploring the trunk of the tree representing people’s skills, abilities and values.  We noticed that some women found it difficult voicing these qualities, so we asked what important people in their lives might notice or appreciate about them in order to uncover hidden stories.  We heard stories about making art, collecting dyes for basket weaving, keeping children safe and looking after them, getting children to school every day, being a bridge between Tiwi and non-Indigenous people coming to the islands, and being the best damper maker in the family.  Many women inherited the skills of teaching and were committed to sharing their knowledge with the next generation.   Shared values of women supporting each other and keeping culture alive through dance, song and story were named, and how this contributes to their ‘trees’ staying strong.  Once again, the women documented which stories were significant to them on their tree drawing.

In exploring wishes and dreams for the future (or the strong branches reaching out), we heard shared dreams about changes for their community.  We heard hopes for Wurrumiyanga to be a better place to live, a safe place to live with no violence.  One woman dreamed about people in the community changing their attitudes, so that there is more respect, love and kindness.  She modelled this in her family through soft, gentle talk, not growling.  Others said they wanted young people to sit and learn from the Strong Elders, for kids to grow up and have a better life, to see them learn the skills of singing and dancing.  One woman wanted to talk stronger with kids when they are fighting, because she didn’t like seeing kids hurt each other, and then adults getting involved in the fighting.  There were grand hopes for a cultural centre to be built to preserve Tiwi culture, and smaller hopes for teaching basket weaving and armband making.  These wishes were linked to deeply held values of passing on strong culture to their children, so they can grow up to be the next generation of strong leaders.

Each of the women then shared personal hopes and dreams for their lives.  This included being a model, a teacher, a teachers assistant, hunters and fishers, supporters and helpers and being a better person.  Women’s hopes and dreams were recorded with photos, a moment captured in time to bring to life.

“I want to be a singer.  Nana has been teaching me singing since I was about 15 years old.  I want to teach kids how to sing when they grow up.  They will teach their kids in the future.”

“I’d like to play footy for a women’s AFL team, hopefully the Adelaide Crows.  I’ve had this dream since I was a teenager.  My grandfather saw my talent.  He’s passed away now.  But he would say “Play footy and be a good sportswoman, and be a part of it”.  I carry his voice with me.”\

Over 30 women attended the two day workshop.  This was a greater number of participants than expected, and posed a challenge for us, as facilitators, ensuring all voices are given an opportunity to be heard.  It also meant that time didn’t allow us to investigate the leaves (special people) and fruits (their gifts) as fully as we would have liked.  However, as you can see from the above quotes, this tended to occur naturally in our investigation of people’s stories.  The importance of knowing their roots, the history of their skills and abilities, and their hopes and dreams for the future, often uncovered people who were important to them and the legacies they had left.

In Day two of our workshop, we explored what it is like to be part of a Forest of Life.  The women voiced “We are all one family – we are all Tiwi” as well as recognised the unique stories and skingroups, values and beliefs, skills and abilities, hopes and dreams of each tree.  Standing back to visualise the forest of trees revealed the beauty that came from standing tall and proud, healthy and strong.  This was seen as a place where the women support each other, look out for each other, offer care, kindness, and protection.

Our final discussion around the Storms of Life unveiled the kinds of storms that women come up against.  This included domestic violence, fighting, arguing, jealousing, hate, family violence, gossip, swearing, hurt feelings, speaking bad way- especially on facebook, ignoring people, lateral violence, discriminating, putdowns, tantrums and losing family.  We explored the skills, strategies and knowledge women draw upon to stand strong in the face of these difficulties.  This knowledge was recorded in a document called ‘Weathering the Storms of Life’.   It is hoped that this document would help the women ride out future storms that might blow their way.

In the concluding moments of our workshop, the women spontaneously expressed a wish to send a message to their children about their hard won knowledge and skills regarding managing storms.   This is their message – Words for Our Children.

The women of Wurrimyanga, Tiwi Islands

Sometimes, the most powerful process to occur happens after the group work is finished, by inviting other communities or individuals to witness and respond to the stories that have been gathered.  Contributions from these ‘Outsider Witnesses’ can help the storytellers feel connected to others, reduce isolation, and assist them to take action in line with their intentions and commitments.  Having a group of outsiders listening and acknowledging people’s wisdom and knowledge, validates their story and identity claim (Carey & Russell).  The Telling Story Project team will be taking Tiwi messages back to other communities they work in, to exchange messages.

If you would like to be an Outsider Witness to the stories of the Tiwi women, I invite you to download and read ‘Weathering the Storms of Life’.  Use the four questions below to formulate your message and send it to us.  We will make sure your message gets sent back to the Tiwi women.

  1. Which words in this document capture your attention?
  2. What do you think these words suggest about what this person values, values, believes in, dreams about or is committed to?
  3. Is there something about your own life that helps you connect with these words?  Can you share a story from your own experience that shows why their words meant something to you.
  4. So what does it mean for you now, having read this document?  What might be different in your life?

We look forward to hearing your story.
This video presentation offers a visual snapshot of our 2 day workshop.

If you would like to know more about using the Tree of Life methodology in your community, please contact us or Sudha Coutinho at the Telling Story project on sudhacoutinho@gmail.com.  We would be happy to work with you in capturing the wisdom and knowledge of your community or group, in riding out the Storms of Life.

This Telling Story project was funded through a NT Government Department of Health Alcohol Reform NGO Grant and auspiced by Relationships Australia, NT.

References and further reading:

Denborough, D. (2008), ‘The Tree of Life: Responding to vulnerable Children’ in ‘Collective Narrative Practice: Responding to individuals, groups and communities who have experienced trauma’, Dulwich Centre Publications.

Carey, M. & Russell, S., (2003) ‘Outsider-witness practices: some answers to commonly asked questions’.

Kids in the sunset

Collective Narrative Documentation: My experience capturing the Hard Won Skills and Wisdom of the Tiwi People

Drug and alcohol misuse, neglect and abuse, violence and early death, overcrowding and ill health.  It is a story that is all too well told and re-told about remote Aboriginal communities.

But it is just one story.                                    

The methodology known as collective narrative documentation offers an opportunity for communities to voice an alternative story.  One of strengths and skills, customs and traditional knowledge, values and beliefs, future hopes and intentions.

During my time on the Tiwi Islands, I had the privilege of hearing rich stories like this and authoring two collective documents.  These documents reflect the words of Tiwi people who have been actively resisting the effects of colonisation, and using special skills and knowledge to stay strong in hard times.

In the narrative documentation process, I witnessed for myself the healing power of storytelling on many levels.  The first happened as individuals shared their story around the campfire with members of their family as witnesses to their experience.  The second was recognising that they were not alone in their experience as stories were gathered and documented into common themes.  And the third happened as their exact words were read back to them.  In some instances, I witnessed a fourth step when individuals felt the sense of contributing to the lives of others, by sharing their story with others outside of their community who were also going through hard times.

So how does the process of narrative collective documentation actually work?  For a full description of the practice, I recommend reading Denborough’s article in Collective Narrative Practice.  But I will briefly summarise the process here as it happened for me.

Lighting the fire, the central point for a storytelling circle.

Firstly, you need a gathering of people.  For me, the opportunity to collect stories of strength occurred at a women’s healing camp in 2009 and two family bush camps in 2010 and 2011.  Next, Denborough recommends a series of questions designed to generate rich content exploring the history of people’s skills and knowledge, and linking this to people and traditions.  These are generally as follows:

  • What is the name of a special skill, knowledge or value that sustains you through difficult times?
  • Tell me a story about this skill, knowledge or value, when this made a difference to you or to others.
  • What is the history of this skill, knowledge or value?  How did you learn this?  Who did you learn it from?
  • Is this skill or value linked in some way to collective or cultural traditions? 

Sometimes I would ask scaffolding questions, or translate these questions into simpler english, as I was working with people whose primary language was Tiwi.  I also gained permission to record people’s stories as an audio file, so that I could go back and translate people’s exact words.  When working on your own, I find it challenging to facilitate a conversation and record written notes at the same time.  Listening back to audio files obviously takes a lot longer, but I felt it was important to capture people’s exact words in the document, so they would easily recognise them as their own.

Once I transcribed the audio files, I used a highlighter pen to identify common themes amongst the stories.  Each theme became a different section of the document.  I chose to head up each section with a short phrase I had heard which reflected the essence of that theme. 

Writing up the document becomes a narrative process in its self by the author.  It is good to begin the document with an acknowledgement in the collective voice of the unique knowledge and skills of the storytellers and hopes for sharing the document with an audience that might resonate with its content. 

In the main body of the document, I like to use paragraphs incorporating people’s exact words in quotation marks, beginning and ending with a more general reflection in each section which highlights the collective experience.  Other writers cleverly weave together third person and first person talk in each section, in a flowing sequence which captures both collective and individual experience.  Every storyteller would recognise some of their own words reflected in each paragraph, even though quotation marks are not used.  A good example of this is shown in Denborough’s article.  One of my documents incorporates photographs taken on the bush camps that express another aspect of the theme.

The first draft was taken back to the participants to check its content for accuracy.  At this stage, there was no agreement to share it outside of their community.  After making any necessary changes, copies were made and distributed to the folks that participated.  Ideally, permission would be gained to share the documents with other communities or individuals who are also going through difficult times.  For different reasons, this never happened and time passed. 

Until now.

It is now 10 years since my first collective narrative document was written with the Tiwi people.  On my recent visit back to the islands, I finally gained permission from the Tiwi women to share them.  It means a lot to them that their hard won skills and wisdom may help someone else, particularly as some of the storytellers have since passed away.  It brings them comfort to know that their voice lives on.

It brings me great pleasure to bring share with you the following documents:

After reading these documents I invite you send a response back to the Tiwi community.  You may like to use the following questions as a guide to formulate your response. 

  • As you read this story about, I’m wondering what caught your attention?  Which piece resonated with you? 
  • What image came to your mind as your read this piece?  What do you think the storyteller is hoping for, values, believes in, dreams about or is committed to?
  • Is there something about your own life that helps you connect with this part of the story?  Can you share a story from your own experience that shows why this part of the story meant something to you.
  • So what does it mean for you now, having heard this story?  How have you been moved?  Where has this experience taken you to?

Contact us if you would like your message sent back to the Tiwi community. 

Collective narrative documentation is a way of responding to trauma that acknowledges the strengths of communities and has potential to build relationships between communities going through similar difficulties.  If you are interested in using this approach with your group or community, please get in touch, to see if we can help.

* Please note: this document may contain the names and images of Aboriginal people now deceased.

References:  Denborough, D. 2008, ‘Collective Narrative Practice:  Responding to Individuals, Groups and Communities who have experienced trauma’, Dulwich Centre Publications.

Alanna Audus

“Coming From a Place of Not Knowing” with Alanna Audus

There is something to be said about social workers who are graciously willing to tell their story, just 12 months after diving into their remote social work experience.  Still in the midst of a giant learning curve, Alanna Audus joins me on Talk the Walk to share the ups, downs and delicious highlights of her beginnings in Alice Springs.  Alanna is a newcomer to narrative therapy and is delighted with the way her somewhat ‘kooky’ conversations with people are beginning to shape their lives for the better.  She works as a generalist and victims of crime counsellor for CatholicCare NT with some of the most marginalised Aboriginal people in Australia.

This conversation is as delightful as it is authentic.  So be warned, Alanna’s heartfelt generosity may inspire you to pack up your city life and go bush.

On episode 27, we explore:

  • What led Alanna to pack up all her belongings and head to Alice Springs
  • What it’s really like starting out in social work with no prior experience working with Aboriginal and Torres Strait Islander peoples
  • Alanna’s unique story which has influenced her passion and drive for social justice
  • A ‘fly on the wall’ account of Alanna’s approach to counselling, starting out in narrative therapy
  • Why relationships are at the heart of Alanna’s practice and feeling okay about not knowing
  • The rich conversations that transpire working with metaphors
  • Methods of narrative documentation such as letter writing which record people’s processes of acknowledgement and achievement, and what difference this makes to clients
  • Struggles and challenges Alanna has faced in her first year in a remote community and the notion of ‘doing therapy on yourself everyday’
  • The influence of nature and the raw environment on Alanna’s self care, allowing her to do high intensity social work
  • Reflections on resilience in ourselves and our clients
  • The people, institutions and the influence of radical politics that have shaped Alanna’s social work practice framework and life
  • Reflections on the NT Emergency Intervention more than a decade on, a continuation of ongoing oppression and disempowerment which began with colonisation
  • Words of wisdom for other social workers considering the move from big city to remote outback and avoiding burnout
  • A sparkling moment from Alanna’s last week

To listen, simply click on the Play button below or listen via the Stitcher App for iOS, Android, Nook and iPad.
Listen to Stitcher
You can also subscribe to podcast and blog updates via email from the Menu on the Home Page.

Don’t forget, if you or someone you know would make a great interview on ‘Talk the Walk’, send us an email from the Contact Page.

Things to follow up after the episode

Contact Alanna on alanna.audus(at)gmail(dot)com

‘A Cultural Model of Therapeutic Social Work’ with Jannice Luland

“A special moment”. Jannice with the clapsticks at the Singing for Healing program.

Jannice Luland is our guest on episode 26 of Talk the Walk.  Jannice is a proud Aboriginal woman and direct descendant of the Wodiwodi and Walbunja peoples of the far South coast of NSW.   After a career spanning over 30 years in child protection, out of home care, justice health, mental health, domestic and family violence and sexual assault, Jannice finally graduated with her Masters of Social Work in 2015.

Aunty Jeno, as she is known in her community of Nowra in NSW, is passionate about supporting women and young people in the field of domestic violence and sexualised violence, and has a special interest in the impact of intergenerational trauma on the Stolen Generations.

As well as being employed as a Healing Counsellor at Waminda, Jannice currently serves on the Aboriginal Elders committee and cultural committee.  She is a huge advocate of social work practice frameworks which incorporate cultural healing practices.  In our conversation we dive deep into what this looks like and what it means for Jannice to be able to incorporate her culture into a strong values and evidence-based model of therapeutic care.

In this episode, we explore:

  • A brief overview of the services at Waminda, an Aboriginal owned and run health and well-being service
  • How Waminda applied Aboriginal healing principles to address issues of low engagement with Aboriginal women accessing sexual assault and domestic violence services
  • How Jannnice arrived at social work after landing her first job as an uneducated single mum
  • How and why Jannice keeps culture central in her social work practice framework
  • Reflections on studying the social work degree and the lack of theoretical frameworks that intersect Indigenous cultures
  • Exploring the benefits, responsibilities and achievements as a member of the Elders group and cultural committee within the organisation
  • The theory and cultural knowledge behind the Singing for Healing program
  • Jannice’s desire to connect with other Aboriginal social workers across Australia to explore cultural therapeutic approaches
  • The importance of accessing cultural social work supervision
  • The values Jannice says are important in overcoming challenges within the work
  • Critical aspects of a healing counselling service that contribute to Closing The Gap
  • Role models and special people that have influenced Jannice’s life and career in social work and a sense of gratitude
  • Inspiring Aboriginal women to take up social work
  • That sparkling moment with the clapsticks

The sound is less than ideal at the beginning of this interview, but does improve, so please stick with it.
To listen, simply click on the Play button below or listen via the Stitcher App for iOS, Android, Nook and iPad.
Listen to Stitcher
You can also subscribe to podcast and blog updates via email from the Menu on the Home Page.

Don’t forget, if you or someone you know would make a great interview on ‘Talk the Walk’, send us an email from the Contact Page.

Things to follow up after the episode

Trauma Trails by Judy Atkinson

Waminda website

Follow Waminda on Facebook

Contact Jannice Luland on jannicel(at)waminda(dot)org(dot)au

An externalised problem in play doh.

The Influence of Narrative Therapy in my Work with Aboriginal Communities

I was first introduced to Narrative Therapy in 2006 after graduating with my social work degree in Brisbane.  But it wasn’t until a few years later in Darwin that the penny dropped on how this approach might actually sit comfortably alongside the worldviews and cultural perspectives of Aboriginal people whom I was working with.  A one week intensive at the Dulwich Centre in Adelaide introducing me to Collective and Community practices from a narrative approach was the start of a journey of sharing these ideas with my Aboriginal colleagues and ‘having a go’ to see what works.

The following reflections show how my practice approach has been influenced by narrative therapy ideas.

Double Listening

The problems that affect the lives of Aboriginal people can often be presented in a way that is disabling or weighing them down heavily; for example, domestic violence that has gone on for many years or issues associated with poverty that affect people’s stress levels.  This negative story can come to dominate people’s lives so that it is the only one they come to believe about themselves and other people tell about them.
However, people have many story lines running through their lives.  Perhaps they have simply lost touch with the things that are important to them and they give meaning to?  In a process of ‘double listening’, we are continually looking for doors into the alternative story, as the problem-dominant story is one that Aboriginal people can fall back into again and again.

Externalising

An externalised problem in play doh.

An externalised problem in play doh.

The person labelled as ‘angry’ or ‘naughty’ by others can sometimes internalise this view about themselves.  The process of externalising helps us to “separate the problem from the person”.   A lot of my counselling work has involved externalising the feelings of children who have been labelled by their communities or families as angry, naughty, bad, lost, lonely, no-hoper, mad and stupid.  Through exploring the “strong story” using things like drawing, painting, clay, puppets and story writing children come to see that ‘the problem’ they are experiencing does not reside inside themselves, but is external to them, possibly as a result of someone else’s problem behaviour in the family.  Children have such amazing imaginations when it comes to naming the problem and can articulate the ‘monster’, ‘devil’ or ‘alien’ as no longer having hold over their lives.

 

Eunice and Elaine share their 'strong story' of going to school.

Eunice and Elaine share their ‘strong story’ of going to school.

Resistance

Aboriginal people who have experienced trauma are often overwhelmed by feelings of shame, thinking somehow they are to blame for their problems or perhaps they invited it.  However, no‐one is a passive recipient to trauma.  Even in the most difficult of circumstances when it was not possible to avoid the trauma, people still take positive steps to stand up against it, resist it or protect themselves from its effects (Yuen 2009).  However small these steps might be, they indicate people are responding because it challenges their values and who they are.  What is it they hold precious in their life that they would respond in this way?  What is it they strongly believe in, that has been threatened?  By exploring and thickening the strengths, skills, values and abilities that help them through difficult times, Aboriginal people reclaim strong stories of hope and resilience and move towards healing.  The narrative approach gives Aboriginal people a safer place to stand to explore their experience without having to re-tell any traumatic details.

Collective Narrative Documentation

The Tiwi developed their own Ripples of Life story.

The Tiwi developed their own Ripples of Life story.

Narrative practice is interested in linking the individual experience to the collective; our individual problems are instead viewed as social issues. When listening to Aboriginal people’s experience of trauma, we are not only listening for individual accounts of how people responded to hard times and developing a rich narrative together, but looking for opportunities to link their life to some sort of collective experience.  In this way, people speak through us, not just to us (Denborough 2008). Some of the children I worked with wanted to share their stories of living with violence or bullying with children from other communities.  I became the deliverer of special messages between children who willingly offered up their stories if it meant it would help someone else. They often reflected “I am not alone in this” or “My experience is helping someone else”.
When people have an opportunity to anonymously share their stories with a broader audience, like another community, they gain a sense of contribution to the lives of another who may also be experiencing hard times.  In my work with Tiwi at Family Healing Bush Camps, community members were invited to share what skills, knowledge and abilities they used to get through difficult issues such as family and domestic violence, substance misuse in the family and having their children taken by welfare.  A written collective document was given back to the participants to share with other communities.  Such documents can be powerful methods of generating a social movement towards change, healing whole communities of people who share stories with each other.

Tree of Life

Tree of Life

Tree Of Life

Collective methodologies such as the Tree of Life and Team of Life have shown to be extremely effective at allowing children and young people who have experienced trauma or significant loss to speak about their skills and knowledge in the comfort and security of peers.  These metaphors offer Aboriginal people safe ways of exploring the difficult events of life like “the storm which hit our family” or “having to defend oneself from attack”.  Family members and Elders who act as outsider witnesses to children’s experience are valuable players in validating these stories.  The artwork generated from this group-work can also be shared as a collective document of children’s resilience, knowledge, hopes and dreams with other groups around the world.

Collective Narrative Timelines

Collective Narrative Timelines are also a well documented narrative practice for using with groups.  I used this methodology during groupwork with Aboriginal women to help them reflect on their own childhood experiences and how these memories have impacted on their own parenting.  Collective narrative timelines are great for the beginning of groups to help participants develop a connection very quickly around a shared theme, while also acknowledging the diversity of experience in the room.  You can read about my process of using Collective Narrative Timelines in a previous blog.

For more resources and ideas on narrative practice with Indigenous communities, explore our Direct Practice and Professional Development Libraries.

References:

Denborough 2008, Collective Narrative Therapy: Responding to individuals, groups and communities who have experienced trauma.

Yuen, A. 2009, Less pain, more gain: Explorations of responses versus effects when working with the consequences of trauma.

fern

How Did Metaphors Become a Part of My Therapeutic Framework?

One of my very first learnings all those years ago in counselling work with Aboriginal people in the Northern Territory was their tendency to talk in round-a-bout ways.  At first I found this frustrating.  You could not ask a direct question and get a direct answer.  It will usually be silence or a head nod (which does not necessarily mean yes, but a polite acknowledgement)!  So I had to find ways that clients would be comfortable to share their experience safely in ways which suited their communication style and integrated their traumatic experience.  After trying the methodologies I’d learnt from narrative therapy and getting such a good response, it dawned on me that working with metaphors was common sense.  Aboriginal people have been communicating in metaphorical ways since time began, through their dreaming stories and ancestors.  This way of working just fits!  Whether it has been in individual counselling or groupwork with women and children or in training and mentoring with Aboriginal workers, concepts or ideas are much easier to communicate through metaphorical stories, verbal or visual.

My first exposure to working with metaphors was at the Dulwich Centre.  “The Tree of Life” methodology was inspired by the work of Ncazelo Ncube of REPSSI (Zimbabwe/South Africa) to respond to children affected by HIV/AIDS.  I’ve used this and its sister method “The Team of Life” with children in the Tiwi Islands with great success, training local Aboriginal women to facilitate the activity.  The tree metaphor gives children a safe place to stand to explore challenges and problems in their lives without re-traumatising them.  I also noticed how the adults supporting the children, started talking about their own lives using trees.

“Trees can teach us a lot about how to live.  Our traditional way of life is about caring for each other and growing strong families.  Now there are storms destroying our families and hurting our children.  We can see it’s not a healthy life for our people”.  – Elaine Tiparui, Bathurst Island.

Picture: Ian Morris.

Picture: Ian Morris. This image has been used to talk about the role of the whole family/community to grow up strong kids (Grandparents are the old growth trees in the background, Uncles/Aunties and parents in middle, teenagers as younger trees and babies/toddlers the little seedlings in front).

I went on to work collaboratively with the women of Tiwi Islands and NE Arnhemland to develop a new tool using the tree metaphor to invite women into a conversation about violence and its affect on children’s development.  “It Takes a Forest to raise a tree: Healing Our Children from the Storms in their Lives” is my first resource produced in community, with community, for community.

As my counselling work progressed, I found that narrative therapy still relied on people being able to verbally express a story.  Neuroscience tells us that the impact of trauma on the brain means that people are simply unable to talk about what happened to them, even if they wanted to!  Many of the children, I’ve worked with were still very much non-verbal and I’ve come to rely more and more on art as a method of communicating and integrating traumatic experience.  Working alongside Aboriginal Child and Family Support Workers using their own languages, we discovered ways for children to document their stories of abuse, violence and neglect using methods like drawing, clay, collage and mask making.  Not surprisingly these stories were communicated through aliens, imaginary friends, monsters, dreaming animals, body parts and other such creatures apart from themselves.   To offer other alternative ways in to children’s stories, I also went on to write ‘The Life of Tree’, a therapeutic picture book, designed to help Aboriginal children speak up about their trauma experience.  Metaphors work in the most magical way to bring healing!

…metaphorically speaking will continue to experiment with playful and effective therapeutic tools using metaphors in our direct work with clients and in the resources we produce in the future.
You can read more about how we are integrating use of metaphors with other therapeutic modalities on our page ‘How We Work’.
You can also find further resources on using metaphors in counselling and trauma work in our Professional Development Library.

Photo by ABC

“Telling the Stories of our Lives” with Sudha Coutinho

You don’t have to search too far to listen to the stories of despair, destruction or trauma in Aboriginal communities.  These are widely played out in our media.  However if we listen with intention much deeper, we will find something richer and more telling.  The absent but implicit in these stories, are signs of strength, hope and resilience.

Listening in this way is a practice that goes to the heart of Sudha Coutinho’s clinical and community development work.   Sudha trained as an occupational therapist and was drawn to narrative therapy as a way of engaging her clients in the fields of mental health, suicide prevention and training.

I came across one of Sudha’s more recent projects when I was invited to respond to some stories collected as part of the Telling Stories project in Kulumbaru.  Sudha says she has “always been interested in stories- those we tell about ourselves and those others tell about us – and the power in these stories to influence both the storyteller and the listener.”

Sudha also tells a really good story herself.  With over 20 years working in the Northern Territory, alongside and with Indigenous Australians, this episode is one bloody good yarn.

In episode 15 of Talk the Walk, we explore:

  • How Sudha came to be working in the Kimberley, discovering herself and her way in occupational therapy from a narrative perspective
  • Why moving away from the ‘expert model’ to share our own story is essential for relationship building
  • What a genuine cultural immersion looks and feels like
  • Moving from a medicalised mental health/psychiatry model of clinical practice to a focus on social and emotional wellbeing
  • Indigenous concepts of wellbeing which incorporate spiritual and cultural aspects of self
  • Practice as an art, not just a science
  • Sudha and the team filming on location in Kalumburu

    How ‘Telling Stories’ came to be; the intent and thinking behind the project and the narrative methodology behind the approach

  • The digital archives of strength, hope and resilience featuring stories of Kalumburu community; and how these stories were gathered
  • The role and power of outsider witness practices; and the effect this had re-authoring the Kalumburu community story
  • How you can watch the stories from Kalumburu and what to include in a response back to the community
  • Sudha’s biggest challenges commonly shared amongst community development projects and how to think creatively to overcome them
  • Evaluating a narrative project
  • A story about the effect the Kalumburu stories project has had on Sudha’s personal life; and what Sudah loves about narrative practice
  • How listening to difficult stories can actually be transforming in positive ways for practitioners and not always a cause for vicarious trauma or burnout
  • An invitation for you to join the conversation about how you listen to story within your own practice.  Please write a comment below or join the conversation on Facebook.

To listen to this episode simply click on the Play button below or listen via the Stitcher App for iOS, Android, Nook and iPad.
Listen to Stitcher
You can also subscribe to podcast and blog updates via email from the Menu on the Home Page.

Don’t forget, if you or someone you know would make a great interview on ‘Talk the Walk’, send us an email from the Contact Page.

Things to follow up after the episode

Telling Our Stories in Ways that Make us Stronger by Barbara Wingard and Jane Lester

Watch a video and send a message back to the Kalumburu community and the storyteller at the Telling Story project on vimeo

Sudha’s blog about the Telling Story project on ABC Open

Contact Sudha Coutinho at sudhacoutinho(at)gmail(dot)com

Contact the Telling Story project at tellingstoryproject(at)gmail(dot)com

Anni presenting in Lisbon at the Contemporary Drug Problems Conference 2015

‘Acknowledging the suitcases that Aboriginal women carry’ with Anni Hine Moana

Anni Hine Moana, my guest this week on ‘Talk the Walk’ has over 40 years of experience from counselling in alcohol, drugs, gambling and mental health to supervision, lecturing and curriculum development.  This is a fascinating conversation with a researcher whose passion is to see tangible outcomes for Aboriginal people accessing appropriate counselling services.

Anni completed a Masters of Counselling in 2011 exploring the case for the inclusion of Narrative Therapy in counselling for Indigenous AOD clients.  Anni is now undertaking her phD on the ‘relationship between the self-conscious emotion of shame and alcohol, experienced by Australian Aboriginal women living in urban and regional areas’.  In this episode, Anni talks about her early research findings and the implications for social workers and other allied health professionals in their clinical work.

In episode 12 of ‘Talk the Walk’, we explore:

  • Anni’s emerging themes of the impact of shame and the ‘white gaze’ on Aboriginal women’s lived experience
  • How shame presents itself in the counselling room
  • The one basic skill every therapist can do to be respectful and develop a meaningful therapeutic relationship with Aboriginal women
  • The relationship between Aboriginal women’s shame and alcohol use; and the stigma associated with drinking
  • How Anni’s Maori culture has influenced her research; and the connection to experiences of shame within her own family
  • Key findings from Anni’s research and support for a narrative therapeutic approach to practice
  • The importance of listening for the ‘injustice part’ of women’s stories, the effects of racism on Aboriginal women’s lives and the role for counsellors in naming this
  • looking at your own ‘history book’
  • Challenges Anni has found in her work and research, how this impacts on her and what inspires her about the future

To listen to this episode simply click on the Play button below or listen via the Stitcher App for iOS, Android, Nook and iPad.
Listen to Stitcher
You can also subscribe to podcast and blog updates via email from the Menu on the Home Page.

Don’t forget, if you or someone you know would make a great interview on ‘Talk the Walk’, send us an email from the Contact Page.

Things to follow up after the episode

‘Settler colonialism and the elimination of the native’ by Patrick Wolfe

Stan Grants speech on racism and the Australian dream

Tree of Life by Ncazelo Ncube

Aborginal Narrative Practice: Honouring Storylines of Pride, Strength and Creativity by Barbara Wingard, Carolnanha Johnson and Tileah Drahm-Butler

David Denborough

Aunty Barb Wingard

Jane Lester

Violet Bacon

Maya Angelou

Ben Harper singing ‘I’ll rise’

Our Own History Book: Exploring culturally acceptable responses to Australian Aboriginal women who have experience of feelings of shame and are seeking counselling for problems with alcohol’ by Anni Hine Moana

Re-storying alcohol use amongst Aboriginal Australians. by Anni Hine Moana

Follow Anni Hine Moana on academia.com or email at annihinemoana(at)gmail(dot)com