Lucy has over a decade of experience working with Aboriginal children, youth and their families

Reconnecting with the Hopes and Intentions we have for our Children

20160421_140355The Rings of Growth is an art activity included in the first session of the Healing Our Children group-work program with women on the Tiwi Islands.  In this session, the women are introduced to the metaphor of a tree as a way of reflecting on and talking about their own lives.

In our training with Tiwi workers we used the Life of a Tree video to show how each ring of the tree represents one year of growth.  These rings can reveal years of hardship (such as lack of water), years of rapid growth (usually during our wet season) and other unforeseen events like insect damage, fire or even crowding out by other sun-loving trees.   Although these rings may be invisible to us, the scars from these tough times are always there.   The Rings of growth is a metaphor that can be used to think about the long term impacts of domestic and family violence on children.  We cannot see inside a child, therefore we cannot assume they haven’t been affected.  It can also be used to explore the influence that positive early childhood experiences have on children’s long term growth and development.  This is the purpose through which we invite Tiwi women to document their own Rings of Growth and share hopes they have for their own children’s future.

This activity invites the women to draw the inside of a tree as if it was cut across the middle and each of the rings of life were exposed.  The women are asked to think about what they were doing when they were a child and the memories they have about what other people did that made them feel good inside, safe and loved.  These things, however small, are the things that helped them grow up and be strong.  For each ring of the tree they have drawn, the women write or draw a memory of something that made them feel loved, safe and comfortable for each year of their childhood.  This can include special events, favourite activities, special people in their lives, significant words said to them, important lessons they learned  or stories they were told by Elders and family members.  The women need at least 30 minutes on this activity to draw, colour, chat and share stories with each other.  After there has been sufficient time to document significant memories and knowledge, the women are invited to explore what their drawing might tell them about hopes they have for the future of their children.

Women whose childhood experiences were largely pleasant, memorable and positive, usually have similar hopes and intentions for their children’s lives.   For those that are struggling in their parenting, it can be a positive way of getting back in touch with hopes that have been lost along the way.   Those women with an unpleasant memory may use the opportunity to explore what positive message or learning they have taken from their experience.  They may reflect on how they want things to be different or better for their children than what they had experienced.  Remembering and recommitting to these intentions within the support of a group, can move women to action in positive ways with their children.

In my experience, women have enjoyed making connections between their early childhood experiences with their own development into adulthood.  Recently, one woman traced back her strong interest in natural remedies to her memory of being thrown in a big copper pot by her grandmother and being treated with bush medicine for chicken pox.   Another first learnt to sew in school and is now actively involved in a women’s cooperative doing screen printing on fabric and making a variety of articles as her work for the dole activity.  Yet another remembers her dad teaching her the rituals of the Kulama ceremony and is now instrumental in keeping this tradition alive with her grandchildren.

Metaphors have the power to be transforming and insightful.  The learnings that women have taken away from this very simple exercise have been delightfully surprising.  The potential is unlimited for adaptation for different client groups and contexts of work.

 

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‘Recipes of Life’: Sharing Delicious Food and Messages of Hope with Refugees and Asylum Seekers

Ma Aye looks at salt to stop crying

Ma Aye looks at salt to stop crying

Did you know that if you look at salt while cutting onion, you won’t cry?  Or if you drink a raw bantam egg mixed with honey you will grow strong?  No neither did I.  I’ve learnt a lot over these past few months.  Not just about food, but also the incredible strengths and resilience that shines through the stories of refugees and asylum seekers.  Such is the beauty of ‘Recipes of Life’*.  This collective narrative methodology, which I’ve talked about in a previous post, offers a safe way of bringing people together who may have experienced difficulties in their lives to build on their collective strengths, skills and knowledge.

In recent years, Darwin has seen a rapid rise in the number of people being locked up in detention centres having arrived on our shores by boat from Indonesia.  It has been difficult to stand by, relatively powerless and witness the desperate pleas of asylum seekers and how they are treated. Fortunately, we have DASSAN, a great bunch of volunteers who provide visitation and advocacy services to those in detention.  I happened to meet one such volunteer last year and we decided to trial a small group using the ‘Recipes of Life’program at the Mulch Pit Community Garden.  By the time, we found funding, government policy had changed and not many asylum seekers were being released into the Darwin community so our group was mostly made up of settled refugees. Although this made our task of communicating with group participants a little easier as many refugees have basic beginners English, we still had a group representing four different language groups.

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Creating food recipes using art materials

Without funding for translators, we plowed ahead and many parts of the program were adapted to accommodate more non-verbal methods of communication through doing, showing, acting, using hands, drawing, painting and using images.  This contributed to many laugh-out-loud moments, and inspired the women to help each other share their stories.  Using persistence and patience with us as facilitators and each other, somehow the group bonded!

One of the major achievements was the production of a Recipes Book featuring the participant’s favourite Food Recipes cooked and eaten in the on-site outdoor kitchen, as well as Recipes of Life featuring their strengths and skills, and Special Recipe Tips for surviving difficult times. Collectively, they also wrote a Recipe for Starting Life in a New Country.  Their hope is that this recipe will benefit other refugees who have just settled in Australia.

Sharing recipes and cooking food

Sharing recipes and cooking food

Outcomes included building new relationships amongst participants, connecting refugees to new resources at Nightcliff including the op-shop and community garden, improved English skills and confidence in the community, and increased knowledge about growing and cooking tropical food.  A lovely surprise was the spontaneous participation of partners, children and other family members, who would pop up in at different times during the program, either to lead cooking activities, resume natural food harvesting responsibilities or feast at the table.

I have no doubt this method would work just as well with other cultural groups, including Aboriginal women, men and young people.  I wonder what special tips they would have to teach us about food and about life…

If you’d like to find out more about the program or send a message back to the women who created the Recipes Book, we would love to hear from you through our Contact Page.

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Final Week Celebration with ‘Recipes of Living’ families

* Recipes of Life is a methodology developed by Natalie Rudland-Wood
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A Narrative Approach to Working with Women who have Experienced Violent Relationships and others on the Journey of Life.

Narrative therapy is all about re-authoring lives or giving voice to the alternative stories rather than the problem-dominated one.  One of the tools for doing this is seeing life as a journey.  David Denborough (2014) so eloquently revisits Michael White’s (1995) original idea of viewing life as a ‘migration of identity’ in his new book “Retelling the Stories of Our Lives’.   I love this book because it sets out really simple ways we can help ourselves and others to rewrite and reclaim the stories of our lives from trauma or abuse to one of survival and strength.  These documents can then be used to help others who are still on the journey and hitting hard times!

Denborough explores how the journey for a woman leaving a violent relationship can be a difficult one particularly at the point of separation when expectations of finding a sense of wellbeing again can soon plummet into feelings of confusion, insecurity and personal failure.  However, mapping the journey of experiences of despair and wellbeing over time can help women see that a ‘trough’ is just one step on the ‘migration of identity’.  Women can come to appreciate that these feelings are actually an indication of progress and a sign of their commitment to wanting a better life for themselves, rather than slipping backward. It also opens the way for conversations about how to equip oneself to avoid a ‘backlash’, when a women feels vulnerable to plunging back into the despair that tries to take over her life once again. (For more information on creating Migration of Identity Maps see Denborough, 2014, p. 126-7).

One of the other ways of using the Journey of Life metaphor is by drawing the journey as a path or road (Denborough p.132-7).  I think this is a great model when working with Aboriginal people who usually like to draw and appreciate visual storytelling methods. To test this out, I recently sat down with Christine and we created a journey map of her life together using a piece of A4 paper, some textas and pastels.

At the end of the process, this is what it looked like.
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The process is quite lengthy but very important for drawing out thick rich descriptions of the positive events, skills, knowledge and future aspirations of the storyteller.  It begins by taking a large sheet of paper and drawing a winding road from one side to the other.  In the middle, a circle is drawn.  On the left is the ‘Road already travelled’ and the right is ‘the path yet to come’. Beginning on the starting point, stories are recorded in pictures and/or words about ‘Where you have come from’, ‘Favourite places travelled’, ‘Milestones achieved’ and ‘Obstacles overcome’. Here Christine drew a tree to represent her and her children that were hit by lightning.  She recalled her strong mum, Aunty and Grandmother telling her “If you’re gonna stay here, you and the kids will lose your life”.  They all supported her to go the women’s shelter and move away.  This was a major Obstacle Overcome, which after a 4 year wait, resulted in the Milestone of getting her own home.  The middle circle is for recording the ‘Circle of Support’ and above this, a compass of ‘Values, beliefs and principles’ that have guided them on the journey.  Important to Christine is to “not lose my traditional footstep. I want to hold onto my culture and teach it to my kids”.  On the top of the page, a ‘Survival kit’ can be drawn documenting what things they have turned to for strength in hard times. Christine shared “I think about the kids and what’s the next step for them and me.  I paint to make myself busy and keep my mind off things.  The pictures I paint tell stories reminding me about the good things”.

Part 2 is about looking forward.  In a similar way, visual stories are recorded about ‘Where you are heading’, ‘Places you wish to see’, ‘things you wish to make happen’, ‘gifts you wish to give others’, ‘obstacles to overcome’ and even a favourite ‘travelling song’ that will help you on the journey. Christine was clear about the goals she had for her children to finish school, find a job and make a life for themselves.   She has had these hopes ever since they were hit by the lightning obstacle and experienced worry for the children.  “I realised what was happening and took action”.

Part 3 encourages the storyteller to look down at their journey like an eagle would if flying over. This externalising viewpoint allows them to think about ‘Good memories’, ‘Name your journey’ and think about ‘a message to others’.  Christine’s Journey of Life map is now a useful tool for her to talk with other women about lessons learned to get through hard times.  During our Journey conversation Christine stated she wants to “tell stories of what has happened to me (the hard times) so that it helps others…. including young people who are suffering” and to “help others identify the strengths they have to get through hard times.  I try to help my daughter and other family who are stuck in these situations. I tell them you have to help yourself.”

References:

Denborough, D. 2014 “Retelling the Stories of Our Lives: Everyday Narrative Therapy to Draw Inspiration and Transform Experience”, W. W. Norton & Company, New York.

White, M. (1995)  Re-authoring Lives: Interviews and Essays, Adelaide, South Australia: Dulwich Centre Publications.